The second album from Montreal’s Ad Vielle Que Pourra transports you to another place and time. You’re in a Breton village, then in the heart of old Quebec, Cajun country, or a medieval court. There are waltzes, schottisches, polkas, and several French and Breton dances, all served on hurdy-gurdy, bombarde, accordion, Hungarian and Flemish bagpipes, flute, and various stringed instruments.