{"title":"For Merlefest Fans","description":"\u003ch2\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003ca href=\"https:\/\/compassrecords.com\/newsletter-signup-merlefest\/\" target=\"_blank\" title=\"Merlefest Newsletter sign-up\" rel=\"noopener\"\u003e\u003cstrong\u003eSign up for our newsletter\u003c\/strong\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/compassrecords.com\/newsletter-signup\/?email=\" title=\"Newsletter sign-up\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e to be entered to win FREE music and merch from Compass Records. \u003c\/h2\u003e","products":[{"product_id":"compass-banjo-tee","title":"Compass Records Fleur De Banjo T-Shirts","description":"\u003cp\u003eSoft, high-quality t-shirts with a beautiful Banjo illustration silk-screened on the front with \"Compass Records Nashville Tennessee\" underneath. \u003c\/p\u003e\n\u003cp\u003eNext level, Tri-blend 50% polyester\/25% combed ringspun cotton\/25% rayon crew in vintage-black. Fabric laundered for reduced shrinkage.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Compass Records","offers":[{"title":"Vintage Black \/ XSmall","offer_id":40169765339182,"sku":"BanjoT-shirt-XS","price":24.0,"currency_code":"USD","in_stock":false},{"title":"Vintage Black \/ Small","offer_id":40169765306414,"sku":"BanjoT-shirt-S","price":24.0,"currency_code":"USD","in_stock":false},{"title":"Vintage Black \/ Medium","offer_id":26300222337,"sku":"BanjoT-shirt-M","price":24.0,"currency_code":"USD","in_stock":false},{"title":"Vintage Black \/ Large","offer_id":26300463873,"sku":"BanjoT-shirt-L","price":24.0,"currency_code":"USD","in_stock":false},{"title":"Vintage Black \/ XLarge","offer_id":26300463937,"sku":"BanjoT-shirt-XL","price":24.0,"currency_code":"USD","in_stock":false},{"title":"Vintage Black \/ XXLarge","offer_id":26300464001,"sku":"BanjoT-shirt-2X","price":24.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1332\/4693\/products\/fleur-men.jpg?v=1574814251"},{"product_id":"colin-hay-real-life-shirt","title":"Colin Hay - Waiting For My Real Life to Begin T-Shirt","description":"\u003cp\u003eOne of your favorite quotes from the ever quotable man himself. \"Waiting For My Real Life to Begin\" on a super soft, Next Level Apparel Tri-Blend, cotton-poly blend unisex t-shirt in midnight blue. 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In Exile's Return, the two former bandmates reunite to create a stripped-down CD that showcases the power of those songs. Since Solas, each has carved out a unique and acclaimed place in contemporary Irish and folk music.\u003cbr\u003e\u003cbr\u003eKaran Casey has recorded five solo albums, has won Best Irish Female Vocalist twice, Best Irish Folk album and a GRAMMY for her collaboration with Paul Winter. She has been nominated for the BBC Folk Awards and has performed with Peggy Seeger, Liam Clancy, James Taylor, and Tim O'Brien. On her 2008 CD Ships in the Forest, Casey's evocative, haunting, and often imitated voice was accompanied by piano and cello. USA Today has called her work \"shiver-inducingly excellent”.\u003cbr\u003e \u003cbr\u003eJohn Doyle's rhythmic guitar chops and effortless harmonies make him much in demand as a musical partner. He currently tours with Joan Baez as her musical director, and with virtuoso fiddler Liz Carroll. 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Over the course of bittersweet new songs, revamped versions of solo favorites, and surprising, stripped-down versions of Men at Work classics, Hay reasserts himself as one of pop music’s most distinct and likable craftsmen.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eAcoustic Vinyl Track Listing:\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBeautiful World (alternate mix)\u003c\/li\u003e\n\u003cli\u003eDown Under (acoustic version)\u003c\/li\u003e\n\u003cli\u003eLove Is Innocent (re-release)\u003c\/li\u003e\n\u003cli\u003eIt's A Mistake (acoustic version\/new recording)\u003c\/li\u003e\n\u003cli\u003eWaiting For My Real Life To Begin (re-release)\u003c\/li\u003e\n\u003cli\u003eWho Can It Be Now? 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But he became a viral video sensation this summer with a virtuosic impromptu performance of “Jerusalem Ridge” that racked up over 5 million views in just a few days. Now mainstream music fans are discovering what the bluegrass community has known for years—that Michael Cleveland is one of the most important fiddle players of his generation.\u003cbr\u003e \u003cbr\u003eWith his new release \u003cem\u003e\u003cstrong\u003eFIDDLERS DREAM\u003c\/strong\u003e\u003c\/em\u003e, Michael Cleveland delivers his finest studio album to date: full of the fire and finesse that has earned him fans from across the globe. Highlights include a blistering performance of the \u003cstrong\u003eArthur Smith\u003c\/strong\u003e penned title track “Fiddler’s Dream”, a step out vocal from \u003ca href=\"http:\/\/compassrecords.com\/album.php?id=1095\"\u003e\u003cstrong\u003eSam Bush\u003c\/strong\u003e\u003c\/a\u003e on the \u003cstrong\u003e\u003ca href=\"http:\/\/compassrecords.com\/album.php?id=831\"\u003eJohn Hartford\u003c\/a\u003e \u003c\/strong\u003eclassic “Steamboat Whistle Blues” and a twin fiddle show down on the Monroe classic “Tall Timber” featuring \u003cstrong\u003eJason Carter\u003c\/strong\u003e (Del McCoury Band). Other guests on the album include \u003ca href=\"http:\/\/compassrecords.com\/album.php?id=1106\"\u003e\u003cstrong\u003eJerry Douglas\u003c\/strong\u003e\u003c\/a\u003e (Dobro), \u003cstrong\u003eJeff Guernsey \u003c\/strong\u003e(lead guitar), \u003cstrong\u003eBarry Bales\u003c\/strong\u003e (bass) and co-producer\/guitarist and vocalist\u003cstrong\u003e Jeff White\u003c\/strong\u003e. Michael Cleveland has undeniably achieved a new personal best with \u003cem\u003eFIDDLERS DREAM\u003c\/em\u003e and in the process has raised the bar for all aspiring fiddler players to follow.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“It’s obvious he was destined to become one of Bluegrass’s contemporary stars.” —Boston Globe\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Michael Cleveland is as versatile as they come, but when it comes to straight-up bluegrass, whether it’s a ‘bootstomper’ or a high and lonesome lament, his peers are few and far between” —All Music Guide\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eTrack list:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFiddler's Dream\u003c\/li\u003e\n\u003cli\u003eHenryville\u003c\/li\u003e\n\u003cli\u003eSteamboat Whistle Blues\u003c\/li\u003e\n\u003cli\u003eTall Timber\u003c\/li\u003e\n\u003cli\u003eBlues for Bill\u003c\/li\u003e\n\u003cli\u003eWhere is Your Heart Tonight?\u003c\/li\u003e\n\u003cli\u003eSunday Drive\u003c\/li\u003e\n\u003cli\u003eUnwanted Love\u003c\/li\u003e\n\u003cli\u003eLonesome Desert\u003c\/li\u003e\n\u003cli\u003eEarl Park\u003c\/li\u003e\n\u003cli\u003eI Knew Her Yesterday\u003c\/li\u003e\n\u003cli\u003eNortheast Seaboard Blues Nashville Storms\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Michael Cleveland","offers":[{"title":"Fiddler's Dream \/ Michael Cleveland - MP3\/320 \/ album \/ MP3\/320","offer_id":27056336769,"sku":"339R\/MP3","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Fiddler's Dream \/ Michael Cleveland - FLAC \/ album \/ FLAC","offer_id":27056336833,"sku":"339R\/FLAC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Fiddler's Dream \/ Michael Cleveland - WAV \/ album \/ WAV","offer_id":27056336897,"sku":"339R\/WAV","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Fiddler's Dream \/ album \/ CD","offer_id":27056337025,"sku":"COM4674","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1332\/4693\/products\/image_32677d0a-6da9-4876-8562-0a19967a5d9c.jpg?v=1475599413"},{"product_id":"memories-of-john","title":"Memories of John","description":"\u003cp\u003eNearly a decade after his passing, \u003cstrong\u003e\u003cem\u003eMemories of John\u003c\/em\u003e\u003c\/strong\u003e was recorded to commemorate the life and music John Hartford. The core of the project is \u003cstrong\u003eThe John Hartford Stringband\u003c\/strong\u003e—\u003cstrong\u003eChris Sharp\u003c\/strong\u003e\/guitar, \u003cstrong\u003eBob Carlin\u003c\/strong\u003e\/banjo, \u003cstrong\u003eMatt Combs\u003c\/strong\u003e\/fiddle, \u003cstrong\u003eMike Compton\u003c\/strong\u003e\/mandolin and \u003cstrong\u003eMark Schatz\u003c\/strong\u003e\/bass—the same group of musicians who appeared on Hartford’s last five Rounder Records projects and who were his touring band during the last years of his life.\u003c\/p\u003e\u003cp\u003eSpecial guests \u003cstrong\u003eTim O’Brien\u003c\/strong\u003e, \u003cstrong\u003eBela Fleck\u003c\/strong\u003e, \u003ca href=\"http:\/\/compassrecords.com\/alison-brown\" target=\"_blank\"\u003e\u003cstrong\u003eAlison Brown\u003c\/strong\u003e\u003c\/a\u003e, \u003cstrong\u003eAlan O’Bryant\u003c\/strong\u003e, \u003cstrong\u003eGeorge Buckner\u003c\/strong\u003e and \u003cstrong\u003eEileen Carson Schatz\u003c\/strong\u003e join the band on renditions of hit original John Hartford songs, traditional fiddle tunes, country and bluegrass songs refashioned by Hartford as well as a few rarely heard Hartford originals written shortly before his death. But the most special guest on the CD is John Hartford himself who appears on several previously unreleased tracks. Memories of John is a loving tribute to one of the most influential musicians of his time and an essential recording for all John Hartford fans.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eA word from the producer Chris Sharp:\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size:12px\"\u003eOften I am asked by a John Hartford fan if I would be willing to relate a story about him. All too often, my mind draws a blank. It’s not for a lack of stories, as there are plenty! Rather, I’ve started to realize that it’s from the sheer amount of stories, experiences, lessons, and the friendship we had.\u003cbr\u003e\u003cbr\u003eFor many of you who got to know John, you are aware that he was a very down-to-earth and accessible person. He loved his fans and friends, and they loved\/love him back. I won’t go into a John Hartford biography here. Just suffice to say that he was probably the best overall entertainer who ever graced a stage, he was full of new and innovative ideas, and he loved music better than anyone I’ve ever met.\u003cbr\u003e\u003cbr\u003eWhen I decided to make this CD, I was surprised at all the support we received. The musicians, people that loaned us gear we didn’t possess (John’s banjo, extra microphones, preamps, etc...), fans, and John’s family all pitched in to make my idea a reality. In retrospect, it’s easy to see that everyone involved wanted to help keep the memory of John Hartford alive and to present songs that represent John’s music and character.\u003cbr\u003e\u003cbr\u003eFinally, the schedules were all in place, and it was time to record. I loaded up my studio (along with some borrowed gear) and headed down to Nashville. Thanks to Matt Combs, we were able to use an empty classroom at the music school where he teaches. With the exception of three overdubs (Alison Brown, Bela Fleck, and Eileen Carson Schatz), all the recording was done “live-in-the-studio” in two and a half days.\u003cbr\u003e\u003cbr\u003eSome of the songs I’ve chosen to include on this CD will be familiar to John Hartford fans, while others have rarely been heard outside of John’s inner circle. The latter mostly consists of songs he wrote but did not get around to recording.\u003cbr\u003e\u003cbr\u003eIn producing this project, I have tried to stay true to my interpretation of John’s music. In making decisions about certain things, it’s been second nature to do what Tim suggests and ask myself, “What would John Hartford Do?”\u003cbr\u003e\u003cbr\u003eThe notes that accompany each of the songs point to the title of the CD(s) where you can find John Hartford’s recorded performance. These are all available through John’s website at www.johnhartford.com, which is lovingly maintained by his family. 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The concept for the album first grew out of the word-play on the original album title, but the more Pikelny explored the idea, the more he realized that it was both musically exciting and challenging. Pikelny delved into the intricacies of Kenny Baker’s fiddle playing and emerged with note for note versions of Baker’s fiddle arrangements for banjo. Joining Pikelny on this tour de force project are friends who also happen to be the finest instrumentalists in bluegrass: \u003cstrong\u003eStuart Duncan\u003c\/strong\u003e (fiddle), \u003cstrong\u003eBryan Sutton\u003c\/strong\u003e (guitar), \u003cstrong\u003eRonnie McCoury\u003c\/strong\u003e (mandolin), and\u003cstrong\u003e Mike Bub\u003c\/strong\u003e (bass).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNOAM PIKELNY PLAYS KENNY BAKER PLAYS BILL MONROE \u003c\/em\u003e\u003c\/strong\u003eis Pikelny’s third recording for Compass Records. It follows on the heels of 2011’s GRAMMY-nominated\u003ca href=\"http:\/\/compassrecords.com\/album.php?id=938\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem\u003e\u003cstrong\u003e Beat The Devil and Carry A Rail\u003c\/strong\u003e\u003c\/em\u003e\u003c\/a\u003e. Upon release, the album hit both the \u003cem\u003eBillboard \u003c\/em\u003eTop Heatseekers and Bluegrass album charts and was the focus of a Funny or Die parody video starring Pikelny with appearances from \u003cstrong\u003eSteve Martin\u003c\/strong\u003e, \u003cstrong\u003eEd Helms\u003c\/strong\u003e, \u003cstrong\u003eEarl Scruggs\u003c\/strong\u003e, \u003ca href=\"http:\/\/compassrecords.com\/album.php?id=811\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eChris Thile\u003c\/strong\u003e\u003c\/a\u003e, \u003ca href=\"http:\/\/compassrecords.com\/album.php?id=841\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eGillian Welch\u003c\/strong\u003e\u003c\/a\u003e, and others. Pikelny is also the inaugural winner of the \u003cstrong\u003e2010 Steve Martin Prize for Excellence in Banjo and Bluegrass\u003c\/strong\u003e which earned him an appearance on \u003cstrong\u003eThe Letterman Show\u003c\/strong\u003e. 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Working with Alison Brown in the producer’s chair, she delivers stand out versions of \u003ca href=\"http:\/\/compassrecords.com\/ron-sexsmith\"\u003e\u003cstrong\u003eRon Sexsmith\u003c\/strong\u003e\u003c\/a\u003e’s “Cold Hearted Wind” with \u003ca href=\"https:\/\/compassrecords.com\/album.php?id=1072\"\u003e\u003cstrong\u003eJerry Douglas\u003c\/strong\u003e \u003c\/a\u003eon Dobro, the catchy “Kingdom Come” written by \u003cstrong\u003eOld Man Luedecke\u003c\/strong\u003e featuring \u003cstrong\u003e\u003ca href=\"http:\/\/compassrecords.com\/album.php?id=679\"\u003eBéla Fleck\u003c\/a\u003e \u003c\/strong\u003e(banjo) and \u003ca href=\"http:\/\/compassrecords.com\/album.php?id=1029\"\u003e\u003cstrong\u003eStuart Duncan\u003c\/strong\u003e\u003c\/a\u003e (fiddle) and the gorgeous maritime ballad “Molly May” written by Cape Breton’s \u003cstrong\u003eJP Cormier\u003c\/strong\u003e. Lynch also offers thoughtful reinterpretations of songs by \u003cstrong\u003eLynn Miles\u003c\/strong\u003e (“Black Flowers”), \u003cstrong\u003eDave Francey\u003c\/strong\u003e (“Empty Train”) and\u003cstrong\u003e Gordon Lightfoot \u003c\/strong\u003e(“Worth Believing”) and contributes the light-hearted, self-penned “Milo” to the project.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“A sterling, silvery vocal presence and a gift for supple, emotional ornamentation…Lynch’s talent is a diamond…gorgeous voice and sense of purpose, supported by (a) superb ensemble.” —The Washington Post\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“[Claire Lynch has a] gift for molding lyrics to melody...lovely, deftly austere” —The Boston Globe\u003c\/em\u003e\u003c\/p\u003e","brand":"Claire Lynch","offers":[{"title":"North By South \/ Claire Lynch - MP3\/320 \/ album \/ MP3\/320","offer_id":27411706881,"sku":"1R\/MP3","price":8.0,"currency_code":"USD","in_stock":true},{"title":"North By 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Since forming in Winnipeg in 2001 The Duhks have created a dynamic blend of old-timey, French Canadian and Celtic music punched up with shades of blues, soul and driving Afro Cuban rhythms that leaves festival crowds on their feet. Over the course of 4 critically-acclaimed albums the band has earned Juno and Grammy awards and nominations and have played a significant role in the neo-folk revival.\u003cbr\u003e\u003cbr\u003eOn \u003cem\u003e\u003cstrong\u003eBeyond the Blue\u003c\/strong\u003e\u003c\/em\u003e The Duhks are in the best form of their 13 year career. Rejuvenated by a two year hiatus and energized by the return of vocalist \u003cstrong\u003eJessee Havey\u003c\/strong\u003e and the addition of new members, fiddler \u003ca href=\"http:\/\/www.rosienewtonmusic.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eRosie Newton\u003c\/strong\u003e\u003c\/a\u003e, drummer\/percussionist \u003ca href=\"http:\/\/www.kevinjoaquingarcia.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eKevin Garcia\u003c\/strong\u003e\u003c\/a\u003e, and guitarist\/bouzouki player \u003cstrong\u003eColin Savoie-Levac\u003c\/strong\u003e, The Duhks founder Leonard Podolak found an amazing pallet of inspiration for the new project. \"All of the people who have been in the band over the years, including non-touring founding members \u003ca href=\"http:\/\/taniaelizabeth.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eTania Elizabeth\u003c\/strong\u003e\u003c\/a\u003e and \u003cstrong\u003e\u003ca href=\"http:\/\/www.mcconnellguitars.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eJordan McConnell\u003c\/a\u003e \u003c\/strong\u003e(who both appear on the album) have had a hand in shaping our sound and direction. The goal with the new record was to draw on everything we’ve learned over the years and everything we know about where we want to take the music now and create something as fresh, exciting and forward thinking as possible.\" Toward that end, the band turned to the rising production team of \u003ca href=\"http:\/\/www.mikeandruthy.com\/%E2%80%8E\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eMike + Ruthy\u003c\/strong\u003e\u003c\/a\u003e \u003cstrong\u003e(Mike Merenda\u003c\/strong\u003e and \u003cstrong\u003eRuth Unger\u003c\/strong\u003e of\u003cstrong\u003e The Mammals\u003c\/strong\u003e), who brought a progressive approach to production that was still firmly rooted in the traditions of folk music. \u003cbr\u003e\u003cbr\u003eMusically, the new project is reminiscent of 2006’s Grammy-nominated\u003cem\u003e Migrations\u003c\/em\u003e, but with a sound that is even more dense and grittier than 2008’s \u003cem\u003eFast Paced World\u003c\/em\u003e. The album opens with the title track, a gorgeous song by \u003ca href=\"http:\/\/compassrecords.com\/beth-nielsen-chapman\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cstrong\u003eBeth Nielsen Chapman\u003c\/strong\u003e\u003c\/a\u003e and \u003cstrong\u003eGary Nicholson\u003c\/strong\u003e that begins with the bell-like drone of Leonard’s claw hammer banjo and the ethereal sound of guest Charlie Rose’s lap steel before giving way to Jessee’s expressive alto, perfectly complemented by Tania’s harmonies. On \"Banjo Roustabout\" electric guitar and drums bring out the more aggressive side of the band’s sound while \"Suffer No Fools\" is  a beautifully rendered acoustic waltz ornamented by banjo, strings and percussion and beautifully sung by Jesse and Tania. Taken as a whole, \u003cem\u003eBeyond the Blue\u003c\/em\u003e represents a group of musicians at the peak of their powers, the music shaped by their collective experience of years on the road and driven by the sheer joy and inspiration that comes from reuniting and rediscovering that magic that drew them together in the first place.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…superb…a combination of winsome waltzes, antebellum instrumentals, Cajun romps and songs that merge eastern and western tradition – offers a host of celebratory sounds…a downhome delight.”  —Lee Zimmerman, Relix \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Canada’s premier neo-tradsters romp from world-beat to blues, urban-pop to old-timey, with wild-eyed invention, haunting traditionalism, and spine-rattling groove.” —The Boston Globe\u003cbr\u003e\u003cbr\u003e“A tasty blend of..folk traditions with hard-grooving world beats, country, bluegrass, jazz, and a healthy injection of catchy, soulful pop.” —Paste\u003c\/em\u003e\u003c\/p\u003e","brand":"The Duhks","offers":[{"title":"Beyond the Blue \/ The Duhks - MP3\/320 \/ album \/ MP3\/320","offer_id":27411726465,"sku":"336R\/MP3","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Beyond the Blue \/ The Duhks - FLAC \/ album \/ FLAC","offer_id":27411726657,"sku":"336R\/FLAC","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Beyond the Blue \/ The Duhks - WAV \/ album \/ WAV","offer_id":27411726721,"sku":"336R\/WAV","price":9.6,"currency_code":"USD","in_stock":true},{"title":"Beyond the Blue \/ album \/ CD","offer_id":27411726785,"sku":"COM4632","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Beyond The Blue \/ track \/ MP3\/320","offer_id":27411726849,"sku":"4144T\/MP3","price":1.0,"currency_code":"USD","in_stock":true},{"title":"Beyond The Blue \/ track \/ FLAC","offer_id":27411726913,"sku":"4144T\/FLAC","price":1.2,"currency_code":"USD","in_stock":true},{"title":"Beyond The Blue \/ track \/ 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A Momentum Award from the International Bluegrass Music Association in the instrumentalist category rounded out her 2016, after she clinched first place in Merlefest’s prestigious Chris Austin Songwriting Competition. Appearances at top-tier festivals including RockyGrass Festival and on programs such as \u003cem\u003eA Prairie Home Companion\u003c\/em\u003e have expanded her audience, along with almost nonstop touring. Press response has been glowing: a \u003cem\u003eFlatpicking Guitar Magazine\u003c\/em\u003e cover was followed by praise from \u003cem\u003eThe Bluegrass Situation\u003c\/em\u003e, \u003cem\u003eNo Depression\u003c\/em\u003e, \u003cem\u003eAmerican Songwriter\u003c\/em\u003e and others. Mostly recently, she’s grinning somewhat slyly on \u003cem\u003eAcoustic Guitar Magazine\u003c\/em\u003e’s April 2017 cover. 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The album includes 10 spoken word renditions of poems from the 19th and 20th century that McEuen has been collecting over the course of his 50 year career and one self-penned instrumental, the evocative “Jules’ Theme,” which closes the collection. Each story is told in McEuen’s engaging baritone, adorned by his unique instrumental compositions informed by his many years of scoring films. From the opening title track, which is a true story about a man who sold newspapers and was a tremendous influence on the young musician in Los Angeles, to the album’s sole instrumental, “Jules' Theme,” inspired by Jules Verne telling a friend, in a French cemetery, about his recently deceased young wife, McEuen presents an album of mini-stories at once inspirational and deeply emotional.\u003cbr\u003e\u003cbr\u003eTracks on the album include “Killed at the Ford,” a Civil War-era poem penned by poet \u003cstrong\u003eHenry Wadsworth Longfellow\u003c\/strong\u003e that tells of the death of a young soldier as he and friends go to meet a picket-guard by a ford. Although no trouble is expected, a shot is fired from the woods and the young man is killed. The poem goes on to contemplate the impact on the young man’s family at home. “The Cremation of Sam McGee,” one of the most famous poems written by Robert Service, was published in 1907 and tells the story of the man who cremates the prospector who froze to death in the Yukon while searching for gold. “Fly Trouble” is a \u003cstrong\u003eHank Williams Sr\u003c\/strong\u003e. classic from 1949, and one of “talking blues” numbers that McEuen has recited many times over the past years. “Old Rivers” was written by \u003cstrong\u003eCliff Crofford\u003c\/strong\u003e and released by Walter Brennan in 1963, while \u003cstrong\u003eThomas Monroe\u003c\/strong\u003e wrote “Nui Ba Den” while he was in Vietnam in 1968. 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Later, when performing became part of the life I picked, every now and then I would do one of these ‘stories’ (often a Hank Williams talking blues) on stage, always happy about how well they went over.” It’s a gift to McEuen’s many fans that he has finally memorialized these stories on The Newsman.\u003cbr\u003e\u003cbr\u003eJohn McEuen was a founding member of Nitty Gritty Dirt Band and was instrumental in the creation of the now classic \u003cem\u003eWill the Circle Be Unbroken\u003c\/em\u003e album which introduced first generation bluegrass and country artists and musicians to a whole new generation of listeners in the mid 1970s. McEuen has 14 film scores to his credit, including the Tommy Lee Jones movie \u003cem\u003eGood Ole Boys\u003c\/em\u003e. He has released multiple solo albums including four for Vanguard Records. 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Pleasures\u003c\/strong\u003e\u003c\/em\u003e was a leap forward for Scruggs-rooted banjo playing when it was first released in 1990. This led to her immediate recognition as a banjo pioneer and to her win in 1991 of the Banjo Player of the Year award from the International Bluegrass Music Association (the first female to win an Instrumentalist of the Year award).\u003cbr\u003e \u003cbr\u003eThe album was produced in 1989 by acoustic music icon and frequent Jerry Garcia cohort \u003cstrong\u003eDavid Grisman\u003c\/strong\u003e (architect of “Dawg Music,” the jazz-influenced breakout fringe of the bluegrass genre) and recorded with a cast of all-star musicians at Dawg Studio in Marin, CA. Players on the sessions included\u003cstrong\u003e Alison Krauss\u003c\/strong\u003e (fiddle), David Grisman (mandolin), \u003cstrong\u003eMike Marshall \u003c\/strong\u003e(guitar, fiddle, mandolin), Matt Eakle (flute), \u003cstrong\u003eJoe Craven\u003c\/strong\u003e (percussion) and \u003cstrong\u003eJim Kerwin\u003c\/strong\u003e (bass). The album’s 12 tunes were all written by Alison and include the first recorded versions of some of her most well-known compositions, including “Mambo Banjo,” “Leaving Cottondale,” and “Weetabix.”\u003cbr\u003e \u003cbr\u003eFor the 2024 reissue, the original 8-track, 1” multitrack tapes were transferred at a resolution of 192kHz\/36-bit, and remixed and mastered by Matt Coles at Compass Sound Studio in Nashville. Simple Pleasures will be released on LP, CD, and all digital platforms and features liner notes from Mike Marshall, recording engineer Dave Dennison, and Alison. The CD and DL versions include 3 bonus tracks of never-before-released demos recorded at Fantasy Studios in Berkeley, CA, in 1988, produced by Richard Greene and featuring David Grisman (mandolin), Mike Marshall (guitar), Todd Phillips (bass), and Greene (fiddle).\u003cbr\u003e \u003cbr\u003eOriginally released on Vanguard Records in 1990, Simple Pleasures earned extensive critical praise both for Alison’s compositions as well as her instrumental prowess and received a Grammy nomination for Best Bluegrass Album. In his liner notes for the reissue, Mike Marshall wrote: “It is SO fun to revisit this first album of Alison’s and to remember how she put her own stamp on the acoustic music scene back in the early 90s both as a composer and monster instrumentalist. It was refreshing and very much needed to have a woman showing us guys what was what and, in the process, paving the way for the next generation of virtuoso female bluegrass pickers.”\u003cbr\u003e \u003cbr\u003eOne of the most multi-faceted minds in roots music, Alison Brown is a GRAMMY-winning musician, GRAMMY-nominated producer, and co-founder of Compass Records Group.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“One of the brightest new banjo players in bluegrass.” —The Wall Street Journal \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Her variations and forays into contemporary musical forms, along with high-speed “breakdown” picking, would make anyone sit up and take notice.” —USA Today\u003c\/em\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Alison Brown","offers":[{"title":"Simple Pleasures \/ Alison Brown - MP3\/320 \/ album \/ 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As a founding member and lead singer for The Steep Canyon Rangers, Platt spent years touring tirelessly, many of them in collaboration with actor\/comedian and banjoist Steve Martin, earning a GRAMMY award, multiple GRAMMY nominations, and international recognition in the process. But when the pandemic struck, the time at home caused Platt to rethink his personal priorities. He decided to put his touring life on hold and left the Rangers to spend more time with his young family.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFortunately for bluegrass fans, the end of Platt’s tenure with The Rangers has marked a new chapter in his musical life, one that he is celebrating with the release of his first solo album, \u003cspan class=\"s2\"\u003e\u003cb\u003e\u003ci\u003eFar Away With You. \u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003eThe album cements Platt’s place at the cutting edge where traditional and contemporary bluegrass meet, and his smooth baritone vocals, coupled with his ear for lyrics with contemporary themes create a sonic palette that honors his bluegrass roots even as he cultivates new growth.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eStand out tracks include “Toe The Line,” written by \u003cspan class=\"s2\"\u003e\u003cb\u003eBarrett Davis \u003c\/b\u003e\u003c\/span\u003eand \u003cspan class=\"s2\"\u003e\u003cb\u003eJosh Carter \u003c\/b\u003e\u003c\/span\u003eand powered by \u003cspan class=\"s2\"\u003e\u003cb\u003eBennett Sullivan \u003c\/b\u003e\u003c\/span\u003e(banjo), \u003cspan class=\"s2\"\u003e\u003cb\u003eCasey Driessen \u003c\/b\u003e\u003c\/span\u003e(fiddle), \u003cspan class=\"s2\"\u003e\u003cb\u003eBarry Bales \u003c\/b\u003e\u003c\/span\u003e(bass), and \u003cspan class=\"s2\"\u003e\u003cb\u003eDaren Shumaker \u003c\/b\u003e\u003c\/span\u003e(mandolin), gives Platt the opportunity to sing with another bluegrass idol, \u003cspan class=\"s2\"\u003e\u003cb\u003eTim O’Brien\u003c\/b\u003e\u003c\/span\u003e, one of modern bluegrass music’s leading lights. 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